Hi there!

It turns out that I have 10 students in that class, and that is good. In my history class, meanwhile, the textbook showed up late and is not the one we thought it would be. Oh well.

But that's not why I'm blogging now.

Roger Ebert has reviewed the new Bob Dylan vehicle MASKED AND ANONYMOUS and didn't like it. I like this thing he said about Dylan, as it sums up my feelings pretty well:

"Bob Dylan idolatry is one of the enduring secular religions of our day. Those who worship him are inexhaustible in their fervor, and every enigmatic syllable of the great poet is cherished and analyzed as if somehow he conceals profound truths in his lyrics, and if we could only decrypt them, they would be the solution to--I dunno, maybe everything.

In "Masked and Anonymous," where he plays a legendary troubadour named (I fear) Jack Fate, a religious fanatic played by Penelope Cruz says: "I love his songs because they are not precise--they are completely open to interpretation." She makes this statement to characters dressed as Gandhi and the pope, but lacks the courtesy to add, "But, hey, guys, what do you think?"

I have always felt it ungenerous to have the answer but wrap it in enigmas. When Woody Guthrie, the great man's inspiration, sings a song, you know what it is about. Perhaps Dylan's genius is to take simple ideas and make them impenetrable. Since he cannot really sing, there is the assumption that he cannot be performing to entertain us, and that therefore there must be a deeper purpose. The instructive documentary "The Ballad of Ramblin' Jack" suggests that it was Ramblin' Jack Elliott who was the true follower of Woody, and that after he introduced Dylan to Guthrie, he was dropped from the picture as Dylan studiously repackaged the Guthrie genius in 1960s trappings."

Yeah. It ain't me babe.